- Place made
- Mantua, Italy
- Medium
- engraving on paper
- Dimensions
- 22.7 x 39.6 cm (trimmed within platemark)
- Credit line
- Bequest of David Murray 1908
- Accession number
- 084G1562
- Signature and date
- Not signed. Not dated.
- Provenance
- David Murray (1829 - 1907), Adelaide
- Catalogue raisonne
- B. XIII. 229. 3; Hind (1948) V.10.2; Washington (1973) p.170, no. 70 iv/iv; Landau in Martineau (1992) p. 202, no. 39, ii/ii
- Media category
- Collection area
- European prints
-
WALL LABEL: A Beautiful Line: Italian prints from Mantegna to Piranesi, 2012
Andrea Mantegna was the first Italian artist to fully exploit the expressive power of engraving. He may have been taught the new technique in Florence on a visit in 1466. His complex, multi-figure compositions of religious and mythological subjects were ambitious and technically brilliant. The entombment is one of seven engravings attributed to the artist. The composition reflects Mantegna’s deep assimilation of antique art with the figures arranged in close proximity to one another and in shallow relief, as in a classical sarcophagus.
Mantegna lived in Padua from around 1440 to 1460. In 1460 he was invited by the humanist-trained Ludovico Gonzaga to become court painter in Mantua, where he served for almost half a century.
Maria Zagala, Associate Curator of Prints, Drawings & Photographs
-
Italian Old Master Prints from the Collection of the Art Gallery of South Australia
Art Gallery of South Australia, 11 March 1983 – 15 May 1983 -
Impressioni Italiane: Etchings, Engravings & Woodcuts from the Renaissance to the Rococo
Art Gallery of South Australia, 2 November 1991 – 2 February 1992 -
Master Prints and Drawings from the Collection of the Art Gallery of South Australia
Art Gallery of South Australia, 25 February 1978 – 27 March 1978 -
A beautiful line. Italian prints from Mantegna to Piranesi
Art Gallery of South Australia, 20 August 2010 – 31 October 2010