detail: Edmund Gouldsmith, Australia, 1852–1932, Adelaide from Montefiore Hill 1885, 1885, Adelaide, watercolour on paper, 28.0 x 61.0 cm; Gift of the Council of the School of Mines 1891

SOUTH AUSTRALIA ILLUSTRATED: 
Colonial painting in the Land of Promise  
   
2 JUNE TO 5 AUGUST 2012
Tickets $12 adult / $10 concession / $8 members / $6 student /
children under 14 FREE / $10 members' season ticket 
Opening Weekend 2 for 1 ticket offer

Ticket includes admission to Bounty: Nineteenth-century South Australian gold and silver   


South Australia Illustrated: colonial painting in the Land of Promise provides insight into the remarkable development of the colony of South Australia.

During the 1830s the British province of South Australia was promoted to emigrants as the 'land of promise', offering the enticing prospect of a fresh start and prosperous life. The rapidly growing colony was fortunate to have among its population several artists who were deeply inspired by their experiences in a new land including Martha Berkeley, S.T Gill, William Light, Alexander Schramm and J.M Skipper.

South Australia Illustrated offers a rich and diverse picture of the development of the colony. Drawing almost 200 works of art from the Art Gallery’s collection, the exhibition also features key works generously lent by private, state and national collections.

From as early as 1836, watercolours by J.M Skipper provided insight into the first days of arrival, while surveyor-general William Light's beautiful landscapes of the late 1830s are informed by his topographer's eye. S.T. Gill's lively street scenes record growth and success and G.F. Angas's watercolours - intended as images for South Australia Illustrated published in London - encouraged further emigration.

Towards the latter part of the nineteenth century, works by H.P. Gill, Louis Tannert and Alice and Helen Hambidge reflect a growing interest in figurative and genre painting, while the landscapes of young Hans Heysen suggest a burgeoning interest in national identity through landscape, which became the hallmark of much of Australia’s art in the early twentieth century.


On display with South Australia Illustrated are Bounty: Nineteenth-century South Australian gold and silver and South Australia Illustrated: From the street , contemporary response to the works of art featuring Ali Baker, James Dodd and Peter Drew.

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StreetThumb

Bounty: Nineteenth-century South Australian
gold and silver

Exhibition details ˃˃

South Australia Illustrated:
From the street

Exhibition details ˃˃


PRINCIPAL PARTNER

EY         Gordon-Darling-Foundationa



detail: Edmund Gouldsmith, Australia, 1852–1932, Adelaide from Montefiore Hill 1885, 1885, Adelaide, watercolour on paper, 28.0 x 61.0 cm; Gift of the Council of the School of Mines 1891

detail: John Michael Skipper, Australia, 1815–1883, Glenelg Beach, South Australia 1836, 1836, Glenelg, South Australia, watercolour on paper, 18.0 x 16.5 cm; d'Auvergne Boxall Bequest Fund 1991

detail: Henry Steiner, Australia, 1835–1914, Bracelet, c.1869, Adelaide, gold, malachite, 4.0 x 7.5 x 6.5 cm (bracelet), 9.5 x 11.8 x 10.6 cm (case); Gift of Diana Evans, Lady Porter, Anne Prior, and Marion Wells through the Art Gallery of South Australia Foundation Collectors Club 2005

detail: Peter Drew, Australia, Colonel William Light Stencil

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